EXPRESSIVE POSSIBILITIES IN PAINTING FROM PHOTOS 2
WITH JENNIFER POCHINSKI
August 24-28, 2020
Monday-Friday
8 a.m.-2 p.m. US Pacific time
11 a.m.-5 p.m. US eastern time
5 p.m.-11 p.m. Europe time
ONLINE WORKSHOP. Photography as a reference in painting is as old as the photograph itself. It is a tremendous tool that can transform the painter’s practice and content. The workshop will be centered on working from photos.The first two days will be spent painting short exercises. The rest of the week will be devoted to three paintings. They will be discussed at the end of the last day. There will be presentations, demonstrations and group discussions to try to maintain the intimate environment of a normal workshop.
Jennifer will be live for the first hour of each day to introduce the exercises and give demos or slideshows.
She will meet again with the group 1.5 hours before the end of the day for discussion of the work.
Materials:
Assortment of oils, brushes, medium such as Galkyd Lite
Newsprint
Any of the following supports: Canvas, panels, gessoed boards or paper for oils,
Chair or two as still life object
Still life objects
Photos will be provided
August 24-28, 2020
Monday-Friday
8 a.m.-2 p.m. US Pacific time
11 a.m.-5 p.m. US eastern time
5 p.m.-11 p.m. Europe time
ONLINE WORKSHOP. Photography as a reference in painting is as old as the photograph itself. It is a tremendous tool that can transform the painter’s practice and content. The workshop will be centered on working from photos.The first two days will be spent painting short exercises. The rest of the week will be devoted to three paintings. They will be discussed at the end of the last day. There will be presentations, demonstrations and group discussions to try to maintain the intimate environment of a normal workshop.
Jennifer will be live for the first hour of each day to introduce the exercises and give demos or slideshows.
She will meet again with the group 1.5 hours before the end of the day for discussion of the work.
Materials:
Assortment of oils, brushes, medium such as Galkyd Lite
Newsprint
Any of the following supports: Canvas, panels, gessoed boards or paper for oils,
Chair or two as still life object
Still life objects
Photos will be provided